Growing Pains

I’m getting old, I tell myself as I peel back the wrapper of a Russel Stover s’mores in the grocery store. It’s funny how just yesterday I was on a walk and could smell roasting marshmallows and immediately the thought came to my mind of how much I wanted s’mores for myself.

Then, today, I’m walking through not one, but two stores, and I spy not one, but two packages of pre-packaged s’mores. Finally, I concede. At Albertson’s, I shell over the two bucks to buy the mini, convenient package for myself. I step outside, take off my mask, and take a bite of the sweet treat.

The first taste feels like a glimmer – a return to my childhood, of roasting marshmallows on the 4th of July, but once the taste envelopes my mouth, I recall it doesn’t taste as sweet as my memories and it tastes ironically just too sweet for my palate now.

I’ve been working with my inner child lately in between establishing a career; to me, these two contrasting endeavors fight for my attention at times. One part of me wants to take extremely long walks — to go farther than I’ve ever journeyed before, while the other part of me turns in yet another job application. A friend mentions the word growing pains to me and I think growing pains. Growing pains.

Is that what it means to grow up?

I’m trying to find the space to remember a job isn’t your identity as much as Americans continue to ask, “What do you do for a living?” I’m trying to grow through these pains, which I’ve found to be of me and not me.

So, today, I bought a sugary treat from the store. And when I got home, I decided to write this post, not sure why. It’s a bit different in style for me, but I’ve decided growing pains can be vulnerable, candid, hard, and soft at the same time.

Some days, it can be heavy, in unwinding an ever-constant process of healing.

Some days, it can be as light and simple as picking up s’mores from the store.

Tapping Into Inspiration

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One of the questions many writers, artists, and creators alike contemplate is where does inspiration come from. Is it within our blood? Do we stick a needle in our veins and funnel it all out when we create something new, whether it be a painting, a poem, or a story? Or, on the contrary, do we journey far to discover our inspiration in the ether? In this way, do we leave ourselves and go somewhere else in order to bring back some wisdom?

I believe there is no either-or for where inspiration comes from. I think we create from a communal source, shared between us all, but as the words flow, we channel our unique expression from this wellspring. Inspiration and creation occur from within and without, meaning that it funnels through our instruments and tools, but it also is accessed from the universal source we all share.

In this manner, I believe anyone can access the wisdom within this collective consciousness; all one needs to do is tap into that infinite stream of intelligence and inspiration. Then, as creators, we are tasked with the responsibility (and pleasure) of bringing something beautiful into this world.

I think at the end of the day our lives are rife with moments and circumstances, which push us into a place of creation. To imagine better possibilities. To dream less contemptible dreams. To take our hopes and channel them into something immediately accessible for all.

So, I suppose in this way, we all are tasked with the responsibility to create through the contrast we experience in order to experience brilliant new realities. An artist alone cannot herald this vision into the world alone. Rather, it is through each collective creation we make that we birth our own realities moment by moment.

Given this, my final question is this: where do you find inspiration and how do you cultivate it?

Magic in Secret Gardens

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One of my favorite novels is The Secret Garden by Frances Hodgson Burnett. This morning, I was thinking about one, among many reasons, why I love this novel. My favorite scene in this novel is when Mary, Colin, and Dickon walk into the blooming garden for the first time — their eyes awash in a rainbow of colors they cultivated together. Their secret garden, which at first appeared to be abandoned, dead, and lost now was fully immersed in brilliant bloom.

I suppose this scene in the novel brings me to tears every time because of its visible metaphor to life. For one, Mary sees herself in the secret garden as she herself is an orphan and for the longest time has felt unwanted and abandoned. Mary has been called sullen and contrary and life has provided sufficient evidence to her time and time again that she is unlovable, sour, and sullen, so she accordingly has believed it. And yet, this beautiful garden in bloom has provided Mary with proof that the stories she has told herself might not actually be the truth.

There’s intrinsic magic within this awakening to the beauty all the characters experience about the world around them. Colin, a sickly boy, opens his eyes to the garden and begins to believe in the magic of words and beautiful places. Together, the characters cultivate their magic through the lens of their secret garden and their friendship. Colin realizes his strength. Mary realizes she has always been loved and finds family in both Colin, Dickon, and Mr. Craven, Colin’s father. Through the imagination of these children, they are able to not only open their hearts to the beautiful possibilities of this world, but they are able to open the adults’ hearts around them, too.

In the end, the secret garden remains open in a perpetual bloom so all who come across the garden might witness the beauty of the children’s discovery, too.

Revelations from the In-Between

I’ve been thinking a lot lately about the spaces of pause and recollection in our journeys — the moments when nothing actually appears to be occurring but is still bubbling and collecting from underneath the surface. The last few months have contained many of these moments for me where in one moment I feel pressed to make a choice and come to a decision about what I’m doing, and perhaps in this way, deciding who I am.

Along this journey, I’ve realized a lot more about who I am and what I’m passionate about — more or less what are the indicators of a life well-lived — one filled with passion, authenticity, integrity, creativity, and above all else unconditional love. After connecting with an old friend and inspiring another to pursue her dreams, I’ve come to the conclusion that I find joy in the smallest of places — in the melting hum of poetry, in open spaces of conversation, in long walks out in nature, in mentoring and teaching others how to take their words and put them onto the page. I’ve found peace in the smallest of things and the smallest of places — in knowing that wherever I’m going or whatever I’ve produced is not my greatest contribution to society, but rather, the meaningful memories and friendships and kind words I have shared with others; all of these things, for lack of a better word, are what I’m proud to cultivate within this place and within my life.

I believe there is power in the in-between for it is the place where all our wildest dreams and doubts and fears find a place to reside, but I have found solace here. So, I’ve decided I will continue to follow everything which lights me up, inspires me, and even terrifies me a little bit — to learn and grow through the contrast I experience and take these messages from the in-between with me every step of the way.

At My Door

I think sometimes about how everything I’ve ever lost has returned to me in one way or another and if it was never recovered then it simply wasn’t meant for me.

I lost my gold necklace with my great grandmother’s Hebrew name last night. I scoured my bedroom, went back to the park, searched by the tree I touched, but still there was nothing to be recovered.

I was certain I would find my necklace beside that white stained tree and it would be gleaming golden — victorious, I would be.

But in that moment I realized something. I have a tendency to linger, to hold onto items and memories, which bring me comfort even when they may no longer be necessary for me on my journey.

I’ve come to adopt a life motto, which is extremely simple and it is just this: what is meant for me will never leave me. It will always return to me.

I’ve failed to mention the amount of times I’ve misplaced this necklace, only for it to return to me in the most random place after a realization and a lesson had been learned in divine timing.

So, I think just this time I’ll let it go.

I think just this time I’ll leave this golden memory with the comfort that everything — every person, place, and experience, which is meant for me will never leave me and will return to my door when I’m ready to receive them.

Magic in The Secret Garden

Front Cover of The Secret Garden, 1911 US Edition

I’ve been thinking about a statement Mary Lennox declares in The Secret Garden. She says to Colin that if he “make[s] them open the door and take [him] in like that it will never be a secret garden again” (Burnett 130).

In the very beginning of The Secret Garden, Mary keeps the abandoned garden she has recovered a secret primarily because she wants to revive it and she witnesses and recalls herself in this piece of earth.

By tending to the garden, she inadvertently tends to herself and becomes less sullen, gloomy, and alone. Mary finds solace in the bit of earth she cares for as she finds solace and a kind of love in herself.

But, I keep returning to this point of the magic in a secret garden or any secret really. I believe Mary didn’t want to share the secret of the garden because she was afraid she would lose herself in being tender and revealing an undisclosed aspect of herself to another — a familiar, a stranger: her first cousin.

When I think of my own life, I often think of the secret smiles I’ve kept to myself — those memories I’ve shared with only another — a memory no one else will be able to recover.

I think that’s what Mary spoke about at the end of the day.

There’s magic in a secret garden. There’s magic in the parts of ourselves we thought were abandoned but then tended to and watched bloom.

And there’s magic in this ancestry and me and you.

Nostalgia’s Rosy Eyes

Romantic Soul by Ron Hicks

Lately, I’ve been contemplating the role nostalgia plays in our lives as we journey forward through all our challenges and respective triumphs.

I honestly believe nostalgia comes from a desire for safety and comfort. Every time I’ve felt nostalgic in the past, I’ve noticed how the feelings I experience aren’t necessarily a desire to return to the exact time I’m reflecting back on. Rather, these scattered feelings bring me to a place of deep and earnest longing for a time when everything felt certain, warm, and comforting.

Now, in light of the pandemic and the fight/flight responses our brains all are naturally working through, it only makes sense to indulge in nostalgia for a time before the pandemic and before masks and this madness.

Every day, it appears that another area of conflict appears on our door side. Another day equals another conflict —another concern, another worry, which appears insurmountable to even us.

Given this, I’ve been reflecting on why we are nostalgic over the course of our lives. What purpose does nostalgia serve? And why do we linger in past memories through tinted rose-colored glasses?

In the end, I consider nostalgia to be laced in a moment, which never truly existed — a moment when everything appeared to be certain, brilliant, and fulfilling.

And so we return to our childhoods. We return to the playgrounds of our youth. We return to the first kisses, which caught us head over heels. And lastly, we return to the moment before everything unfolded before us.

Because even now we desire to trace the elusive “what-if’s.”

What if I had stayed in his/her/or their arms?

What if I lingered another day in a moment of sustained comfort?

I highly doubt nostalgia will ever leave us, but we might reconsider how we utilize this emotion as we face every challenge in our lives.

Goodbye (Hello) Leaves More Leaves

Goodbye (Hello) — my first full-length poetry collection is now officially out in hardcover as well.

For those readers who would love to add more leaves to their collection or enjoy the crisp feeling of a hard paperback, in their collection, consider the feeling of adding this lofty leaf to your collection.

I, personally, love the feeling of a hardcover book in my collection. There’s a feeling of antiquity about it as I keep a copy of my favorite books in hardcover. Plus, let’s be real here, when I really desire a back (back in the old days when I was a child; imagine that!?) I used to purchase books I truly desired in hardcover first because consumerism forced me to.

In this manner, I collected many many books in hardcover before the soft cover release a year later.

Luckily enough, this isn’t a requirement for you. Perhaps, it’s a matter of some consumerism (as most matters are these days), but it is also a choice in pleasure.

So, enjoy this new leaf I’ve gathered for you.

Goodbye (Hello)

Fallen Astrophyllite: Recovered Purpose

Yesterday, the stone for one of my favorite rings inset with Astrophyllite fell out. I knew right then and there exactly what this meant for me within my life.

When I purchased this ring years ago, I craved for my purpose — to realize it within this life of my own. In that time, I imagined my purpose to be something greater than me. How wrong was I to conceive this.

All along, years later, I realize now that my purpose has always been within me — an effervescent spark in the dark guiding and reminding me of my home.

It all begins with me and then ripples out to you, my friend.

So, despite the sentimentality I hold with this ring, it’s time to let it go and find another ring, which serves me in my purpose now that I’ve remembered home: a place filled with words and words and words, which I intend to write for the rest of my life.

Oceanic Memories in Art

I’ve been thinking lately about my legacy in these poems and words I press to the page.

One of my favorite musicians, Zella Day, once spoke to the oceanic nature of her songs and how in time she will collect a catalogue of pressed moments, which she can return to any time.

Now, as I near the next poem of my life, I think fondly back on the catalogue I’ve created thus far within my poetry. It’s rather beautiful how I can return to any poem I’ve written, or any work for that matter, and find something new every time.

In the end, this is what I love about art in all its multifaceted forms. I love how artists show up for their art every day. I love how people can find some new interpretation in the words, which I press to the page (and the words you may press to the page).

I love how I can go to an art gallery and connect so viscerally with a portrait painted hundreds of years ago. And I love how I can meet you in this hour, without ever touching you in the physical realm.

That’s why I show up every day in my life. That’s why I show up in my art.

I do it because that’s what it means to live well and to preserve a moment in time for eternity.