Magic in Secret Gardens

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One of my favorite novels is The Secret Garden by Frances Hodgson Burnett. This morning, I was thinking about one, among many reasons, why I love this novel. My favorite scene in this novel is when Mary, Colin, and Dickon walk into the blooming garden for the first time — their eyes awash in a rainbow of colors they cultivated together. Their secret garden, which at first appeared to be abandoned, dead, and lost now was fully immersed in brilliant bloom.

I suppose this scene in the novel brings me to tears every time because of its visible metaphor to life. For one, Mary sees herself in the secret garden as she herself is an orphan and for the longest time has felt unwanted and abandoned. Mary has been called sullen and contrary and life has provided sufficient evidence to her time and time again that she is unlovable, sour, and sullen, so she accordingly has believed it. And yet, this beautiful garden in bloom has provided Mary with proof that the stories she has told herself might not actually be the truth.

There’s intrinsic magic within this awakening to the beauty all the characters experience about the world around them. Colin, a sickly boy, opens his eyes to the garden and begins to believe in the magic of words and beautiful places. Together, the characters cultivate their magic through the lens of their secret garden and their friendship. Colin realizes his strength. Mary realizes she has always been loved and finds family in both Colin, Dickon, and Mr. Craven, Colin’s father. Through the imagination of these children, they are able to not only open their hearts to the beautiful possibilities of this world, but they are able to open the adults’ hearts around them, too.

In the end, the secret garden remains open in a perpetual bloom so all who come across the garden might witness the beauty of the children’s discovery, too.

Pearl Earrings & Prudence: On Tracy Chevalier’s Girl With a Pearl Earring

*There may be some potential spoilers revealed in this book review. Read at your own discretion.*

In Tracy Chevalier’s Girl With a Pearl Earring, the mythic quality of the muse comes to play. As a reader, one goes into this novel, understanding completely that this story couldn’t be farther from the actual truth of the inspiration behind Johannes Vermeer’s famous painting. Little is actually known about the inspiration, which led to the timely creation of Girl With a Pearl Earring. Even so, we as readers, buy into the myth because we want to. We want to understand the muse behind this renowned painting. We want to see her story unfold on the page.

Perhaps, above all else, this is one of the main reasons why Chevalier’s novel is successful. From the beginning of the story, the novel is painted not through Vermeer’s eyes, but rather through the eyes of our protagonist Griet — a maid from a modest family who is well aware of the restrictions, which singlehandedly mark her future and her stature in life. In this manner, Griet is wise beyond her years even as she is naïve and hopeful for a better future for herself where her livelihood will not be connected to marrying the butcher’s son.

For me, the most interesting scenes were the ones in which the reader began to see how Vermeer viewed the world through his painter’s eyes. Nevertheless, these scenes were a precious gem, which appeared few and far between compared to the other events at play within Griet’s life.

Suffice it to say, there still is something magical about this novel, which I’m having a hard time putting my finger on directly. I think it must be located within what we never had the chance to see directly unfold across the span of these pages; it must be isolated within the liminal space this novel consciously creates.

For one: the curiosity about the seemingly romantic relationship between Vermeer and Griet comes to mind. Although nothing ever directly came to pass between them, I still wonder about the few scenes they shared while Vermeer painted Griet with the pearl earring. Like Griet, I am saddened to hear about Vermeer’s death by the end of the novel. In more ways than one, I still occupy the same space Griet did as both the muse and the heroine who was curious about the power of this whimsical painter but simultaneously was still like any other woman for her time — a woman who, in time, would choose to give away the pearl earrings gifted to her in the name of prudence and some extra coins she will never come to use.

I’m not sure what this means at the end of the day, but I think there’s something incredibly lovely and important about all this. I believe there is a value in the intersections of Griet’s identity and how, if for but a moment, we as the reader have the chance to sit beside both the muse and the heroine.

Fantasy Candle Out Now!

“Men, what exactly is the nature of Enlightenment?” he asks.

I clench my fist. I’ve heard this conversation countless times before.

The stories of men will always be the same. 

I never imagined I’d create a custom candle, let alone put out and publish this book or any of my books if I’m being honest. Months ago, if you asked me about any of this, I’d consider it ludicrous. 

I think for the longest time I convinced myself I wasn’t worthy of the words put to the page — that they held no weight or meaning. Now, three books later, I think I’ve realized how we all underestimate our abilities as dreamers and creators of our own realities. 

We convince ourselves we aren’t good enough or strong enough or creative enough because we’re secretly afraid of our luster and shine. I think in the most becoming way we’re secretly terrified of our most earnest desires for our lives.

So, in the nature of these stories, I’d like to offer an alternative — a manifest desire formed beyond this candle’s glow.

What if we shine? 

What if we write new stories and greet them at the door?

What if we dream of enlightenment? 

The Nature of Enlightenment, the custom candle, is now on sale! ✨

The Council of Amara Custom Candle

The Nature of Enlightenment, out January 14th.

I think I’ve always defined myself as an artist above all else and expression has been the one umbrella, which defines all the work I do.

When I decided to make a custom candle and collaborate with @wildblackthorn to bring all these ideas into reality, I remembered thinking to myself how can I add another layer to the stories I’ve created, how can I contemplate the scents I’ve layered in naturally as a writer and bring another touch of the ephemeral and physical for you as you read The Council of Amara.

As an artist, one of my favorite endeavors is to bring all ideas from the ether and into the physical. It’s my favorite part of what I do and it’s why I love the muse.

I wanted to capture the unseen in this candle. I wanted to capture the scent of enlightenment in this candle — of coffee shops where intellectuals wrote, of horses on a dirty, dusty bustling road, of a kind offering being made to a young, wide-eyed girl: a pair of old ladies gloves.

I wanted to trace the scent between intellectual and find the rough, heady undertones, which marked it all.

Perhaps, above all else, I wanted to follow Isla’s footsteps in the place between it all as she strived to follow the scents she had grown up with and find her way home to the nature of enlightenment as she understood it to be.

Mark your calendars. The Nature of Enlightenment will be yours on January 14th.

The Council of Amara Release

The Council of Amara

In less than a week, my book will be in your hands. In one way or another, I’ve been working on these stories for at least three years now, but I’d like to say in theory I’ve been working on them since the day I was born. For me, these characters came in traces, captured in recollection.

Some of these stories began in a dream — in a woman’s voice; in a woman I wrote to understand. During my senior year of college, I wrote and defended a creative honors thesis, which included the linked short stories you will have in your hands soon. I spoke about the women I’ve always desired to see on the page — strong, flawed, and feminine heroines who didn’t always get everything right, but still persevered despite their limitations. I sought to seek strength in vulnerability and in the type of traits often characterized as weak. After years of witnessing hyper-masculinized and over-sexualized women on my television, I became fed up with the narrative currently surrounding strong female characters.

So, I wrote these stories. I wrote about women who weren’t necessarily strong in the masculine sense of the word, but were strong nevertheless in all their femininity. I never imagined I’d publish these stories once I completed my thesis, but something in me told me to release them like paper airplanes onto the world.

You won’t have to wait that much longer until these stories are yours, too.

I hope in this shared, liminal space you find exactly what you need to in the words I’ve written to this page.

The Council of Amara will be yours on December 31st.

Capturing Cupid’s Wings

I’ve been waiting to write this post for a while because I honestly didn’t know what I wanted to say, but I figured I’d take a stab in the dark, or as I’d prefer to view it, lean in closer to reveal the sight of Cupid with a single lantern.

See, I think it’s one thing to say you believe in miracles and then another entirely to say you’ve co-created a miracle.

Growing up, I used to hear that miracles occurred once in a blue moon — a distant reminder speaking to the mundane origins of our world and our respective lives within it.

Then, I grew up. Even so, as I progressed in my spiritual journey, I still believed in miracles — in synchronicities orchestrated by the divine: a force greater than me, and in some small way related to me.

But I had never experienced the kiss of a miracle before. I charted doves and prayed to candles — to my ancestors, to God and even to some form of a higher power. My tears formed a heart — an answered clarifier to all my questions I imposed, but still, I hadn’t seen it.

I hadn’t seen the elusive miracle latent on my cinema screen.

Until a few weeks ago.

Months ago, I knew I would be going to New York with my best friend. I hadn’t made any plans, had no idea why, but then through a series of shocking, sentimental, challenging events, I came to understand just how miracles come to be.

Because I believe we orchestrate miracles in our lives when we ask for them and when we listen to the signs of the divine. I believe we are of the divine and I believe there is nothing too large, which can compare to the magnitude of our souls.

So, I’ve written this post because I’d like to understand it. I’d like to trace the outlines of a miracle and see what it means once realized in my life.

And I think just this time I’ve traced Cupid’s wings as he departs Psyche’s reaching arms.

Riddle #2

Downstairs by Arthur Hughes

Dear Reader,

I’ve crafted a clever series of riddles with Easter eggs in preparation for the release of my first linked collection of short stories: The Council of Amara.

Here’s the second riddle. Follow the journey (with tons of goodies) on my Instagram.

BSYLI
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Riddle 2
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In order to recover my name, turn to page 22 of Goodbye (Hello) and contemplate these words;⁣⁣
⁣⁣
An Oracle.⁣⁣
A Prophet. ⁣⁣

Until we meet again,

Ilyssa

Listening to the Muse

The cover for my first linked collection of short stories

I’ve been pretty cryptic for a couple weeks now, dropping hints and mementos of lines on my socials from my first linked collection of short stories, which I’ve decided to publish.⁣

The Council of Amara, for me, was a project, which began in a dream, and in the nature of the muse we must listen to all our dreams and treat them with a kind of devotional care.⁣

During my senior year of college, I wrote and defended a linked collection of short stories, which spoke to the strength of femininity and the nature of seeing female as strong. Prior to this point, all I had witnessed within film and media was constant caricatures of women as hyper masculinized — cold, frigid, and ready to battle the world with an AK-47 and a bold red lip. ⁣

As you might imagine, this deeply disturbed me on several levels. In my stories and the stories I saw painted on the page, I longed to see a woman like me: strong and feminine, vulnerable, brave, sometimes uncertain of her path, but strong despite it all. ⁣

So, I wrote these stories as I contemplated desire and what decisions we are forced to succumb to in the nature of our desire as its magical enchantment grabs us with its silken golden threads and never lets go.⁣

I wrote for the women who cry and about the men who watch women cry and do not know how to properly witness it and care for it. I wrote for the men who do not know how to cry. I wrote for the women who long to see themselves in their own stories. ⁣

And I wrote for myself. ⁣

The Council of Amara, in its completed form, will be out on December 31st.⁣

Preorder is available now.⁣